
The first is analogous to the “paradox of fiction.” It just isn’t clear why we should respond emotionally to music’s expressiveness when we know that no one is undergoing the emotions expressed. The second is a variant of the “paradox of tragedy.” If some music arouses “negative” emotional responses in us, similar have a peek at this site to sadness, why can we hunt down the expertise of such music? This leads to the more general query of the worth of our emotional responses to music. The first two questions are addressed in this part, and the third in part …



